Aurora Borealis by Frederic Edwin Church
Museum-grade paper. Archival pigment inks. Zero glare.
*Requires framing.
Art Prints
Our giclee art prints are produced on heavyweight 200gsm matte art paper chosen for its smooth, non-reflective surface. Unlike glossy prints that throw back reflections from windows and overhead lights, the matte finish scatters light evenly across the sheet, so the artwork reads clearly from every angle and in any room.
Each print is made with archival pigment inks laid down by precision giclee printers, the same technology trusted by museums and limited-edition print studios. The result is deep, stable color with fine tonal transitions that hold their intensity for decades when displayed indoors away from direct sunlight.
The paper itself is museum grade: acid-free, lignin-free, and manufactured to resist yellowing and embrittlement over time. Ships unframed in a protective roll, ready to be framed.
*Frame is not included with this option.
Hand-stretched on FSC pine. Greenguard Gold inks. Ready to hang.
*Ready to hang out of the box.
Gallery Canvas
Each canvas is printed on a 333 g/m² cotton-polyester composite with a proprietary coating that produces deep blacks, rich saturation, and accurate tonal transitions. The matte finish absorbs light rather than reflecting it, eliminating glare from windows and overhead lighting so the artwork stays readable from any position in the room.
The inks are HP Latex, UL GREENGUARD GOLD certified. This means the inks meet the same air quality standards required in hospitals, schools, and nurseries. Non-toxic, odor-free, and safe for any room in your home. HP rates them for up to 200 years of fade resistance indoors, away from direct sunlight.
The canvas is gallery-wrapped by hand over a 1.25 inch (3.2 cm) radiata pine stretcher bar sourced from FSC-certified renewable forests. The wood is kiln-dried, knot-free, and warp-free, engineered to hold tension without sagging over time. A sawtooth hanger and rubber bumpers come pre-installed on the back, so the piece is ready to hang the moment it arrives.
*No framing required.
Solid wood floater frame. Floating reveal. Gallery-ready.
*Available on the framed canvas option.
Framed Canvas
The floater frame is milled from solid wood with a matte finish that absorbs light instead of bouncing it back. Unlike glossy mouldings that pick up room reflections, the matte finish keeps attention on the artwork.
The frame sits slightly outside the canvas edge, creating a clean 0.5-inch floating reveal. This gap gives the wrapped canvas a suspended, weightless look, the same presentation used in contemporary galleries and museum installations.
Inside the frame, the canvas is the same 333 g/m² cotton-polyester composite printed with HP Latex GREENGUARD GOLD inks, hand-stretched over FSC-certified radiata pine. Every piece ships with hanging hardware pre-installed.
*Available on the framed canvas option.
A single ship sits frozen in the Arctic ice, its masts like tiny needles against an immense, otherworldly sky. This is the human anchor in Frederic Edwin Church’s masterpiece, Aurora Borealis. Painted in 1865, the final, brutal year of the American Civil War, the work captures a celestial event that felt like a cosmic message to a weary nation. Was it a sign of divine judgment, or a promise of heavenly light after years of darkness? Church doesn’t give an easy answer. He simply presents the scene, letting the quiet drama of the icebound vessel against the vibrant, shifting curtains of light create a lasting tension and a sense of profound awe.
Frederic Edwin Church was a leading figure of the Hudson River School, a group of painters who saw the American landscape as a new Eden, full of spiritual and national significance. Part artist, explorer, and scientist, Church was known for grand, panoramic canvases that became public events when exhibited. For Aurora Borealis, he drew on his own trip to the North Atlantic and the accounts of his friend, Arctic explorer Isaac Hayes, whose ship is likely the one depicted. His use of oil paints to capture the ethereal, almost transparent quality of the aurora’s green and red glow was a technical achievement, making the light feel both real and supernatural.
This historic American wall art brings a grand, hopeful vision of the natural world into any room--a piece of history and a window onto one of nature’s greatest spectacles.
Framed Canvas - Museum Finish
Gallery-wrapped canvas set in a solid wood floater frame with a 0.5-inch reveal. Archival pigment inks on premium poly-cotton. Ready to hang with pre-attached hardware.
Gallery Canvas - Frameless
Stretched canvas over a 1.25-inch pine bar with mirror-wrapped edges that continue the image around the sides. Archival pigment inks on premium poly-cotton for museum-grade longevity. Ready to hang.
Fine Art Paper Print - Unframed
Museum-quality giclee print on 230gsm cotton-blend art paper with archival pigment inks. Shipped rolled in a protective tube so you can frame it your way.
Free Shipping
Every order ships free through our global fulfillment network. Regional facilities in the United States, United Kingdom, European Union, and Australia route your order to the closest location for faster, greener delivery.
Estimated Delivery Times (from shipment date)
- United States, United Kingdom: 2 to 6 business days
- European Union (Germany, France, Italy, Spain, Netherlands, Belgium, Austria, Portugal): 2 to 6 business days
- Canada, Ireland, Denmark, Finland, Norway, Luxembourg, Czech Republic: 3 to 7 business days
- Australia: 7 to 14 business days
- Poland, Switzerland, Hungary, Estonia, Cyprus, Malta, Alaska, Hawaii: 7 to 21 business days
- Rest of the world: delivery time varies by destination
Production Time: Each piece is printed to order. Handling and quality control take up to 10 business days before shipment.
Tracking: All orders ship with tracked couriers including FedEx, UPS, DHL, USPS, GLS, Canada Post, Royal Mail, and Australia Post depending on your region.